OMG April 2016 Goal

For my April OMG goal, I’m keeping it simple and choosing one of my bee blocks because quite honestly, paper piecing pretty much terrifies me, and having some extra accountability and encouragement will help me not to procrastinate too long and may help reduce my anxiety about making this paper-pieced block. This particular block is Hidden Gems from The Bee Hive, and it requires templates that are printed on legal-size paper or printed on standard size paper and taped together. I almost have my fabric pulled for this block but am waiting on a second lime print fabric from an Etsy shop. It is a fabric I already have used and love, Allotments in Limelight from Karen Lewis’ Blueberry Park collection. Our April queen bee, Linda, has requested girlie-colored print fabrics: plum, fuschia, bubblegum pink, lime/apple, and black with a white-on-white background. Here is my fabric pull so far:

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I’ll probably start working on this bee block on Saturday after next (April 16th) since that is my first open day this month. I’ll have some early morning coffee to get me going (but not too much since that is not good for rotary cutting!) and then will head to my cutting table. Hopefully I’ll have the templates printed out by then.

Please send good paper-piecing vibes!!!

Linking up to Red Letter Quilts: OMG.

 

 

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March 2016 OMG Finish

Midnight Starfish Block by Mary Ringer @Quilting is in My Blood

Midnight Starfish Block by Mary Ringer @Quilting is in My Blood

I’m happy to report that I completed my March OMG goal. I finished my Midnight Starfish Block and Post in the nick of time for the 2016 Paintbrush Studio New Block Blog Hop that ran from 3/28-3/30/16. If you’re not familiar with this blog hop, you can go to Yvonne@Quilting Jetgirl to see a description of the blog hop and links to all the posts by over 35 quilt bloggers. Yvonne also has a link on her post to Twiggy & Opal’s Pinterest board that shows an image of all the blocks created for the 2016 Paintbrush Studio New Block Blog Hop.

Linking up to Red Letter Quilts OMG: It’s Finished! Continue reading

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2016 Paintbrush Studio New Block Blog Hop–Midnight Starfish

I’m excited to be participating in the 2016 Paintbrush Studio New Block Blog Hop. Paintbrush Studio generously supplied each participant with a fat quarter bundle from their new line of solids,  Painter’s Palette. Our hosts, Yvonne@Quilting Jetgirl, Cheryl@Meadow Mist Designs, and Stephanie@Late Night Quilter curated the Ocean Sunrise Palette, and for the 12 1/2″ block that I designed, I used the following colors: Midnight, Daydream, White, and Bordeaux. I named my block, Midnight Starfish. I’m in the first group with Yvonne as our leader launching the blog hop on 3/28/16. Cheryl’s group will post on 3/29/16, and Stephanie’s group will finish the blog hop on 3/30/16. I can’t wait to see all the amazing blocks designed with the Ocean Sunrise Palette from Paintbrush Studio complete with tutorials. Without further ado, allow me to show you my Midnight Starfish block:

Midnight Starfish Block

Midnight Starfish Block by Mary Ringer@Quilting is in my Blood

 

In order to make this block, cut the following quantities/measurements:

  • three 6 1/2″ squares from the White fabric
  • two 6 1/2″ squares from the Bordeaux fabric
  • one 6 1/2″ square from the Midnight (dark blue) fabric
  • eight 2 1/2″ squares from the Midnight fabric
  • four 4 1/2″ squares from the Daydream (light blue) fabric

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You might want to keep your lint roller handy! The white fabric picks up threads from the darker fabrics like my black pants attract hair from my cats!

You’ll be making 16 Half-Square Triangles (HSTs) with the White/Bordeaux fabric and 8 HSTs with the White/Midnight fabric. Now, some of you are looking at the photo above, and saying “I only see four White/Midnight HSTs.” Very astute of you, that is true. But I am such a fan of the Eight-at-a-time method to make HSTs that I learned from Jeni Baker at QuiltCon, that having four extra HSTs is preferable to making the HSTs one at time. And I don’t like the four-at-a-time method for making HSTS. I just don’t like all those bias edges. I don’t need any help with my blocks being unintentionally wonky!

On the white squares that you cut, draw two diagonal lines from corner to corner. On white fabric, I prefer to use a mechanical pencil.

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And while you’re in the drawing mood, draw one line from corner to corner on the small Midnight squares. Sometimes I start drawing the lines in the middle to get a smoother line.

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Pin the 6 1/2″ white squares to two 6 1/2″ Bordeaux squares and one 6 1/2″ Midnight square. Sew a quarter-inch on each side of both drawn diagonal lines.

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The next step is tricky. You will cut the sewn squares into fourths but not on the diagonal. See the next two photos:

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Next cut the squares on the drawn line into triangles:

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Press the seams open. Trim the HSTs down to 2 1/2″ lining up the diagonal line of the ruler with the 2 1/2″ mark of the ruler on two sides of the HST and then rotating 180 degrees and cut the other two sides of each HST. You will end up with  16 White/Bordeaux HSTs and 8 White/Midnight HSTs. Remember you will only need four of the White/Midnight HSTs.

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Next sew one of the 2 1/2″ Midnight squares to the right corner of the 4 1/2″ Daydream square sewing slightly toward the outer corner just to the right of the drawn line. Repeat with the other three Daydream squares.

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Trim the seam one-quarter inch:

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Then fold over the Midnight triangle and press. Sew the other 2 1/2″ Midnight square on the left corner, slightly overlapping in the middle. This time sew just to the left of the drawn line. Repeat with the other three Daydream squares, and trim and press as above.

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Lay out your HSTs with the Daydream squares with Midnight corners:

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Using a quarter-inch seam, sew each pair of White/Bordeaux HSTs together pressing open, and then sew each of the pairs to another set of pairs with the points of triangle facing up in the top row and facing down in the bottom row, again pressing open to avoid show-through of the Bordeaux fabric under the white fabric. These units should measure 4 1/2″ square.

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Sew the White/Midnight HSTs together as above facing the white parts inward to form a diamond. Then sew the three squares together for each row, and finally sew the three rows together matching seams and points as much as possible. Press open. Trim the completed block to 12 1/2″ as needed.

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I have to say that the seams and points matched better in the practice block I sewed from my stash last weekend! This is not a super complicated block design, but I tried sewing this block twice today, and I never got it quite the way I wanted it. As I told a friend today, some days we have our Sewjo and other days, we don’t. I also told her that other quilters would totally understand. Right???

Many of you use EQ7. I’ve never even seen the computer program, but recently I did play with an app on my iPad called Quiltography, and I was able to create two layouts using my Midnight Starfish block that show two different secondary designs:

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Be sure to check out all the other wonderful block tutorials being posted today by:

 

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OMG March 2016

Last month I linked up to the February One Monthly Goal (OMG), and I even accomplished my goal of sewing four blocks for my Terra Australis Quilt but wasn’t able to write an OMG It’s Finished post for February. For March, my One Monthly Goal is to design a new 12 1/2″ unfinished quilt block for the 2016 Paintbrush Studio New Block Blog Hop. I’ll be sewing a practice block using my Terra Australis fabric and then will sew the block for the blog hop using Paintbrush Studio’s wonderful new line of solids called Painter’s Palette, and lastly I will write a tutorial on how to piece my block. I have some ideas scribbled on paper. Hopefully, they will translate well to a finished block!

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I’m sure there are going to be many awesome block tutorials posted for this new block blog hop, so be sure to look for them starting March 28th.

Linking up to Red Letter Quilts OMG.

 

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Bee Blocks and More-February ’16

For February, I needed to sew six blocks, one for each of the online bees that I belong to and four for my Terra Australis quilt (and for extra credit and pure fun, I sewed four Fancy Foxes blocks). I had the fabric cut for both my Stash Bee and Bee Hive blocks before I went to QuiltCon. I actually started sewing the Spin Wheel block for Tanyia in my Bee Hive swarm early in the month but ran into trouble with my points matching, so I put it aside. I finished all my blocks the last weekend of February.

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Spin Wheel Block for Tanyia

For the Stash Bee, Tisha was our queen bee (who I had the unexpected pleasure to meet at QuiltCon), and she requested a  Carpenter’s Star Block in yellow and white. There’s a crease in the white center square that I didn’t spend much time trying to get out because I figured Tisha will need to press our blocks well after being sent through the mail. And she was nice enough to tell us not to bother trimming this large 15 1/2″ block!

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Stash Bee Hive 7 Feb ’16 block

For my Terra Australis quilt, I made four blocks using the Eight-at-a-time Half-Square Triangle method taught be Jeni Baker at her Mastering the Half-Square Triangle workshop at QuiltCon. I love this technique! I was able to make the 64 HSTs much faster than the traditional two-at-a-time method. See my QuiltCon 2016-Lessons Learned post for a little more info about Jeni’s workshop and book.

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Block for Terra Australis Quilt ©Mary Ringer

 

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Block for Terra Australis quilt ©Mary Ringer

 

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Block for Terra Australis quilt ©Mary Ringer

 

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Block for Terra Australis quilt ©Mary Ringer

 

Linking up to Quilter in the Closet: Building Blocks Tuesday.

 

 

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QuiltCon 2016–Lessons Learned

I’ve been thinking about writing a Lessons Learned post ever since Afton launched this linky party. Still being fairly new to quilting (about 16 months), I learn lessons with every new project, but since I’m starting to digest my recent experience at QuiltCon, I thought this would be a great first Lessons Learned post.

My biggest lesson at QuiltCon is one I struggle with in my daily life, and that is that I often take on more than I can really effectively handle. I signed up for five workshops with three of them being evening workshops, and I am not a night person! I still learned and benefited from all of the workshops I took, but I didn’t get as much of a chance to meet and socialize with people as I might have, if I’d booked a slightly less busy schedule.

Kim Eichler-Messmer’s lecture on color theory was wonderful. I’ve been a little timid in my color experimentation, but Kim encouraged us several times to “Be bold. Be brave.” With Kim’s encouragement in mind, I found a vendor with a good selection of fabric and chose some fabrics out of my typical color palette to work together for Amy Smart’s fast strip-piecing workshop (because I’d brought fat quarters rather quarter-yard cuts of fabric). I really like how they look together except for the solid gold-yellow. I just noticed that you can only see a tiny spot of fuchsia pink on light grey fabric next to the solid fushcia fabric. It is Alison Glass’ Handcrafted Grove in Sidewalk that has splotches of fushcia and a corally-pink.

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I had fun experimenting with different sizes of strips in Amy’s workshop with some of these fabrics.

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My favorite talk was a free demo by Shea Henderson called Interfacing Intervention. Shea did such a great job of breaking down the best fusible interfacing for a variety of projects. It was cool when she brought out her book, School of Sewing, and I remembered it is on my book shelf at home. Now that I understand interfacing better, I really want to make Shea’s striped tote bag using an analogous color scheme (colors next to each other on the color wheel). See I’m already applying some of Kim’s color theory lecture to a future project!

My favorite workshop at QuiltCon was Jeni Baker’s Mastering the Half-Square Triangle. Jeni taught the traditional 2-at-a-time HST method, the 4-at-a-time technique for people who don’t like marking their squares, and my new favorite–the 8-at-a-time method. Jeni’s book, Patchwork Essentials: The Half-Square Triangle, reflects Jeni’s warm and approachable personality as well as her expertise. This past weekend, I chose four blocks from her book out of 60 sample blocks (with a slight variation or two) to make for my Terra Australis quilt, and I’ll be blogging about them this week, maybe even tomorrow for Building Blocks Tuesday.

Linking up to Quilting Mod: Lesson Learned.

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QuiltCon 2016–Quilts Made by Modern Quilt Guilds

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QuiltCon was everything that I hoped it would be and more, but my brain is still on overload. People, workshops, gorgeous fabric, and what felt like miles of amazing, modern quilts. The experience actually started on the Super Shuttle from the LAX airport. All six of us in the shuttle were on our way to QuiltCon. It was fun bumping into a couple of my shuttle-mates over at the venue.

Some of my favorite quilts that I saw at QuiltCon were done as part of the QuiltCon Charity Quilt Challenge. Below are just a few of the quilts made by various modern quilt guilds all over the world. The last two did not have labels on the quilts so I don’t know who made them. If any of you know who made either of these quilts, please let me know, and I will credit them in the photo caption.

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Styx by the Tasmanian Modern Quilt Guild

Styx by the Tasmanian Modern Quilt Guild

Milky Way the Modern Way by the Portland Modern Quilt Guild

Milky Way the Modern Way by the Portland Modern Quilt Guild

Bridges over Tennessee by the Chattanooga Modern Quilt Guild

Bridges over Tennessee by the Chattanooga Modern Quilt Guild

Unexpected Blooms by the Sacramento Modern Quilt Guild

Unexpected Blooms by the Sacramento Modern Quilt Guild

Tri by the Triangle Modern Quilt Guild

Tri by the Triangle Modern Quilt Guild

Out of Chaos, A Star is Born by the Jacksonville Modern Quilt Guild

Out of Chaos, A Star is Born by the Jacksonville Modern Quilt Guild

Every Which Way by the Montreal Modern Quilt Guild

Every Which Way by the Montreal Modern Quilt Guild

Untitled Quilt completed for the QuiltCon Charity Quilt Challenge

Untitled Quilt completed for the QuiltCon Charity Quilt Challenge by unknown person or quilt guild

Beautiful Unlabeled Quilt by unknown person or quilt guild

Beautiful Unlabeled Quilt by unknown person or quilt guild

Inspiration at QuiltCon was everywhere! I could truly line up wonderful quilt projects to do easily until 2020! Can you believe that year is less than four years away!?!

Linking up with Cooking up Quilts: Main Crush Monday.

 

 

 

 

 

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Fancy Foxes Fun

This past weekend I had so many things that needed to be done, but I took some time out to do some sewing for the fun of it. I decided to join a Block of the Month club hosted by my local quilt store, ThreadBear. Bridget is teaching us how to make Elizabeth Hartman’s Fancy Forest quilt, and on Saturday, we started with the Fancy Foxes. There is the option to make the large quilt or the small quilt, and I’ve opted to make the small Fancy Forest quilt since it is one fourth of the work but all of the cuteness! I made the first fox in class on Saturday and finished the other three up on Sunday.

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Next month we’ll be working on the bunnies!

Linking up to Building Blocks Tuesday and Sew Cute Tuesday.

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One Monthly Goal–February 2016

I decided that participating in the One Monthly Goal (OMG) linky party would be beneficial support/accountability to help me reach my goal of making four 12 1/2″ unfinished blocks each month for my Terra Australis quilt using fabric from Emma Jean Jansen’s Terra Australis and Terra Australis 2 collections. Below is a pic of this fabric before I cut into it.
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In January I completed the first four blocks of the 25 I will need, and if I get four more blocks done each month, I should have 24 completed by the end of June. And if I am THAT close to meeting my goal, I will be so excited and may even have all 25 sewn by then, rather like the horse picking up speed returning to the stable!

I’m taking Jeni Baker’s Mastering the Half-Square Triangle workshop at Quilt-Con, and we will be making (or at least starting) four HST blocks that just so happen to be the size I am using for my Terra Australis quilt. Yay! It is so cool when something you did not plan on actually makes your life a little easier. So making and finishing the four HST blocks from Jeni’s workshop is my goal this month for OMG.

I’m already starting to think about what blocks I will sew in March for my quilt. I found quite a few I like that I saved on a 12-Inch Blocks board on Pinterest. There are at least two I want to make this year from an out-of-print Block of the Month pattern called Paris in the Fall that I ordered directly from the pattern designer, Sheri Falls. And I love the blocks featured in AnneMarie Cheny’s Sister Sampler Quilts book. Other possibilities include blocks from the Modern HST Sampler QAL, The Bee Hive (I already made the beautiful Quatrefoil block for one of my January blocks), and the Sugar Block Club 2016 (in January I made the lovely modern Churn Dash block). So in addition to sewing my four blocks for February, I plan to figure out this month what blocks I will making in March.

Linking up to Red Letter Quilts’ OMG.

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2016–Change in Direction Already!!!

It all started when I unwrapped my Christmas present from my friend and saw this beautiful fabric I’d been eyeing at ThreadBear, my local quilt store. I’m lucky enough to live in a small town where the owners of ThreadBear not only know me, but they know my taste in fabric. When my friend stopped by the store looking for a gift for me, she walked out with two one-yard cuts from Emma Jean Jansen’s Terra Australis collection AND a $50 gift certificate which I used to buy the coordinating fabrics from the collection. Check out my Sunday Stash #9 post if you’d like to see this beautiful collection before I cut into it.

I decided that I wanted to make a sampler quilt of 12-inch finished blocks using this collection with Kona Shadow as my background fabric. The first block I made was The Bee Hive’s Quatrefoil block. I made the block below as a practice block before I made my hive mate’s block in Blueberry Park fabrics blogged about in my Bee Blocks January 2016 post.

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Terra Australis Quatrefoil Block

In late December/early January there was an onslaught of Block of the Month clubs that tempted me, and I definitely signed up for more than is possible for someone who works full-time. The upside is that I have numerous resources that I can draw on now and in the future. It was very freeing to figure out that I can pick and choose what will work best for me. With that perspective in mind, when I was scanning Bloglovin’ one morning in early January, I came across Amy Gibson’s free Sugar Block Club on her Stitchery Dickery Dock blog (which of course I immediately signed up for!) and fell in love with her January Modern Churn Dash block. Below is the second block I completed for my Terra Australis quilt.

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Terra Australis Modern Churn Dash Block

By this time, I was starting to get a clearer picture of what I wanted for this quilt. I’m going to make 25 different blocks for my full-size bed and will try to make four blocks per month. Each block will have some kind of triangle in it, but I don’t think I will paper piece any of the blocks. I remembered that I really liked several of the blocks created for last summer’s 2015 Fabri-Quilt New Block Blog Hop and thought that  AnjaQuilt’s Floored block would be a perfect fit for my quilt. Here is my version of Anja’s lovely block:

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Terra Australis Floored Block

On Pinterest I found several 12-inch blocks that I may make this year, and one particularly struck my fancy. It is from Quilter’s Cache and is called No Name #2 (such a lame name for such a beautiful block!!!) But here’s where I made a choice that I’m pretty sure I’m going to redo. Without really even thinking about it, I made the block below with a low-volume Terra Australis grey feather fabric I found on Etsy rather than the Kona Shadow background fabric. I really like how this block looks, but I think I need to remake it with Kona Shadow and perhaps make a pillow out of this block.

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Terra Australis No Name #2 Block

I think I could use the low-volume feathers fabric as background for other blocks, so my Terra Australis quilt could have two background fabrics, but my gut feeling is that I will be happier with the clean aesthetic of Kona Shadow as background for all the blocks.

Feel free to weigh in. Do you think I should remake No Name #2 with Kona Shadow background and save the original block to use for a coordinating pillow for my Terra Australis quilt?
Linking up to Cooking Up Quilts’ Main Crush MondayBlossom Heart Quilts’ Sew Cute Tuesday and Freshly Pieced: WIP Wednesday.

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